Remembering Dennis Stock

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Magnum Photographer Dennis Stock sadly died today.

Stock started his career as an apprentice to Life magazine photographer Gjon Mili and joined Magnum in 1951. Although best known for his intimate portraits of James Dean he was also a prolific Jazz photographer taking some of the most iconic Jazz portraits in history for his book Jazz Street. in 1968 he founded the production company Visual Objectives and shot several documentaries but returned to Magnum to serve as president of Magnum’s film and new media division in 1969 and 1970. Stock generated a book or an exhibition almost every year since the 1950s.

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“Art is a well-articulated manifestation of an aspect of life. I have been privileged to view much of life through my cameras, making the journey an enlightened experience. My emphasis has mainly been on affirmative reactions to human behavior and a strong attraction to the beauty in nature.”

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Top 15 Documentaries of 2009

1. Antoine

(Laura Bari, Canada, 2009) – websitetrailer

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As usual I couldn’t stick to convention and pick 10 or 20, but this is the list that just appeared when I began writing down the documentaries I’ve loved most this year. I know there are some big films missing but there are a few that I haven’t had a chance to see (Collapse, Objectified and Best Worst Movie being three in particular that I’m itching to get hold of.)

As with the decade list this isn’t in any order, I still can’t bring myself to do that. All of these films I absolutely adore and have championed to anyone who’ll listen. I really think it’s been a great year for documentary, there have been more feature docs than ever coming out of the UK, which is great as we tend to be broadcast oriented, and there have been a lot of great international co-productions that have really pushed some films that might not otherwise have been made. Also check out The Documentary Blog’s year end list here.

As with the decade list I’d love to know what you think I’m missing, I watched some great documentaries I might not have found off the back of all your suggestions so please feel free.

2. The Cove

(Louie Psihoyos, USA, 2009) – websitetrailer

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3. Sweethearts of the Prison Rodeo

(Bradley Beesley, 2009) – websitetrailer

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4. Mugabe and the White African

(Lucy Bailey & Andrew Thompson, UK, 2009) – websitetrailer

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5. Last Train Home

(Lixin Fan, Canada, 2009) – websitetrailer

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6. Sergio

(Greg Barker, USA, 2009) – websitetrailer

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7. The Red Chapel

(Mads Brügger, Denmark, 2009) – imdbtrailer

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8. Anvil! The Story of Anvil

(Sacha Gervasi, USA, 2009) – websitetrailer

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9. Dancing with the Devil

(Jon Blair, UK, 2009) – website

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10. Winnebago Man

(Ben Steinbauer, USA, 2009) – websitetrailer

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11. Kings of Pastry

(DA Pennebaker & Chris Hedegus, 2009) – website

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12. I’m Not Dead Yet

(Elizabeth Stopford, UK, 2009) – imdb

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13. Afghan Star

(Havana Marking, UK, 2009) – websitetrailer

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14. Presumed Guilty

(Roberto Hernández & Geoffrey Smith, Mexico, 2009) – websitetrailer

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15. RiP: A Remix Manifesto

(Brett Gaylor, Canada, 2009) – websitetrailer

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Honourable Mentions:

21 Below
Shelter in Place
Burma VJ
The Time of Their Lives
Along Came Kinky
The Most Dangerous Man in America

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Burial & Four Tet – Moth


It was kinda inevitable that I would love this as it’s Four Tet, but his collaborations can be a bit hit and miss. This, however, is perfect and is definitely one of my favourite songs this year. Nevermind the incredible video. Watch it, love it.

Bring on the next Four Tet album.

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Research Process: Clip – Encounters at the End of the World

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My friend, and filmmaking partner, Jemma has set me the task of showing her documentaries she hasn’t seen so that we can look at visuals and filming techniques for a documentary we are currently in the research stage for. Jemma has largely always focused on current affairs TV docs, as that is her main area of interest, and has little knowledge when it comes to feature documentaries. I don’t see this as a bad thing and it means I get a chance to re-watch a lot of films I love, so I’ve begun trying to think of particular films or scenes that could help us with the filming process. Jemma is planning the first filming/recce trip in January and I can’t go so we’re really keen to be on the same page when it comes to the style of the film.

So far I’ve been going through some of the films I think it’s important to have seen in terms of style within documentary and also those that might be of help when it comes to choosing various shots we want for the film.

I re-watched Encounters at the End of the World tonight, which is fairly off-mark in terms of what might help us but it did help me think about the level of involvement a filmmaker should, or could, have within the story. We’re keen to have little presence in our film as it’s not relevant to the story and could actually hinder the importance of the journey the characters take if too much of our filmmaking process is evident. But Encounters really made me think and there is a particular scene within the film that is probably one of my favourite scenes in documentary full stop. It’s when we are introduced to the linguist in the green house and Herzog’s voiceover comes in and speaks over the stop of his story with “to cut a long story short…” Its something very few filmmakers would do and the voiceover is entirely his perspective, whilst preventing the character from getting his point across. Herzog then allows him to finish and then cuts away to give his own summary which shows nothing but respect for what the linguist has said.

“It occured to me that during the time we spent in the greenhouse at least 3 or 4 languages had possibly died, in our efforts to preserve endangered species we seem to overlook something equally important. To me it is a sign of a deeply disturbed civilisation where tree huggers and whale huggers in their weirdness are acceptable while no-one embraces the last speakers of a language.”

If you’re interested it’s at about 4 mins in of the clip after the jump.

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Oscar Documentary Nominations & Frontline Screenings

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The official shortlist has been announced for the Academy Award’s Documentary Feature category.

It wasn’t a surprise to see Burma VJ on there which we screened at The Frontline Club a few months ago and I’m very glad to see another two films that will be shown at the club soon, The Most Dangerous Man in America -  which we will be showing on the 29th November (booking link is here) and Sergio which we will be screening in the new year.

This means our last two Sunday screenings of the year are both on the Oscar shortlists.

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This Sunday we are showing the incredible China’s Unnatural Disaster which is nominated in the Documentary Shorts category and the filmmakers are flying in for the Q&A. Booking link is here.

Surprise omissions from the list are The September Issue, Capitalism: A Love Story, Sundance Grand Jury Prize winner We Live in Public, Tyson, The Way We Get By and Anvil.

The 15 films shortlisted:
* “The Beaches of Agnes,” Agnès Varda, director (Cine-Tamaris)
* “Burma VJ,” Anders Østergaard, director (Magic Hour Films)
* “The Cove,” Louie Psihoyos, director (Oceanic Preservation Society)
* “Every Little Step,” James D. Stern and Adam Del Deo, directors (Endgame Entertainment)
* “Facing Ali,” Pete McCormack, director (Network Films Inc.)
* “Food, Inc.,” Robert Kenner, director (Robert Kenner Films)
* “Garbage Dreams,” Mai Iskander, director (Iskander Films, Inc.)
* “Living in Emergency: Stories of Doctors Without Borders,” Mark N. Hopkins, director (Red Floor Pictures LLC)
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers,” Judith Ehrlich and Rick Goldsmith, directors (Kovno Communications)
* “Mugabe and the White African,” Andrew Thompson and Lucy Bailey, directors (Arturi Films Limited)
* “Sergio,” Greg Barker, director (Passion Pictures and Silverbridge Productions)
* “Soundtrack for a Revolution,” Bill Guttentag and Dan Sturman, directors (Freedom Song Productions)
* “Under Our Skin,” Andy Abrahams Wilson, director (Open Eye Pictures)
* “Valentino The Last Emperor,” Matt Tyrnauer, director (Acolyte Films)
* “Which Way Home,” Rebecca Cammisa, director (Mr. Mudd)

You can see the official press release here

My opinions on the list are at The Documentary Blog

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